Thanks for replying, Glenn.
My point, for clarification, is that the way meaning and value are ascribed through sign relation has been studied for over 100 years. My personal area of reading these days is semiology, which goes back to 1903 with C.S. Pierce, along with the emerging topics Neuroeconomics and Neuroaesthetics. Through those fields, I've found direct parallels between visual representation, preference/value and decision making from a conventional, utility and aesthetic perspective with social/biological/cognitive underpinnings.
The way that relates to this thread is that most current research lacks foundation. Is Dror's research illuminating? Not without knowing the practical difference of what we would expect to see given the specific manipulation of a different variable. There's an ignorance of basic historical perspective of Mill's Methods or the whole philosophy of Pragmatism and the notion of practical difference. (What would we expect to see if things were different, and then holding some variables constant while altering others) I could recreate his study (if it were transparent) and add the additional task of evaluating each Examiner's diet. I could then come up with a statistically signficant ratio of protein to carbs eaten by the examiners and cite that as the source of their mistakes. Sub a nebulous 'bias' attribution for my nutritional ratio and Dror has done the same thing. Neither example shows correlation as to why one variable is impactful on the other.
Allow me to demonstrate a very abbreviated theory of value:
To give one example:
delta.jpg
A delta is called a delta because it looks like a delta (the most profound thing you'll hear me say on a monday). Another way of saying this is that the naming convention of this structure is iconic - it looks like what it is called. It's also why a lot of literature and examiners still call features, lakes, dots, hooks, etc. The delta (such as in the instance of a triradius) is an example of this. It is also the phenomenon I was illustrating to you in the question mark print that statistics are blind to, but is integral to what we do.
There are other ways signs gain meaning as well (Note: they aren't mutually exclusive)
Indexical signs are signs that point to other signs (Eg, where'es there's smoke there's fire). This is why when you see three ridges run into an area of low clarity and two run out, you infer a ridge event. It's also why multiple v's (vvv or ^^^) represent a double tap. The last example represents a vertical nature of representation, as the notion of double tap is a meta representation. That is to say, it is a level of abstraction above just the meaning of the features themselves.
Lastly symbolic signs are signifiers that have no direct resemblance to that which they signify. They are agreed upon by convention. In the field of fingerprints a core can be thought about as a sign of convention.
Signs also have modalities, aesthetic cues and temporal aspects. It's the reason when people go see a horror movie, 911 is not flooded with calls reporting murders by all 125 people in the theatre. We can distinguish that what we are seeing is not real by the cues we've picked up on. Purchasing a ticket, the 2 dimensionality of the screen, the purchasing of snack foods. In very much the same way, we utilize similar modalities when we orient a piece of palm based upon the ridge flow.
Temporally speaking Examination has a temporal relativity. It is both synchronic - (temporally simultaneous) and diachronic (across time). Going back to the example of the delta, you are not evaluating the corners of the triradius separately across time (diachronically), but rather seeing them as a singular entity (synchronically). We do this most frequently with 'target groups'. Synchronic value and Diachronic value will be different.
So, right away we see we deal with signs, what is signified by those signs, the way in which signs get signficance, and a temporal aspect (synchronic/diachronic) Sounds a lot like an elaboration of the spatial/sequential narrative, huh?
So there are combinations of all these effects in the print. Signs combine to form bigger signs, which act as the signs for bigger signs, etc. which snowball until we reach a tipping point (threshold of sufficiency anyone?). Pierce described the process as 'infinite semiosis'. That current signs flow from past signs and into future signs reaching a domino like effect of meaning.
http://plato.stanford.edu/entries/peirce-semiotics/ It's akin to how letters turn into words which turn into sentences which turn into paragraphs which turn into a treatise which allows for meaning to be conveyed and ideas to be shared. It's information theory.
It's also how a sheep can conceptually be represented as a collection of cells to a specific animal (eg Dolly) to an asset of a farmer to an abstract representation of wealth. Applied to fingerprints, it's how a collection of organic and inorganic molecules collect along a ridge, and are transfered to an object to form intrinsic ridge characteristics, which form ridge events, which form a ridge flow which comprises an impression which is iconically contrasted against other impressions to reach an abstract concept we know as 'Individualization'.
All of that to say this: A publication on the study of human factors that doesn't touch on some of the most basic elements of how humans make/perceive/agree upon meaning doesn't say very much at all.
Authoritative texts that support what I am saying include these:
C.S. Pierce
Peirce, Charles Sanders (1931-58): Collected Writings (8 Vols.). (Ed. Charles Hartshorne, Paul Weiss & Arthur W Burks). Cambridge, MA: Harvard University Press
Ferdinand de Saussaure
Saussure, Ferdinand de ([1916] 1974): Course in General Linguistics (trans. Wade Baskin). London: Fontana/Collins
Saussure, Ferdinand de ([1916] 1983): Course in General Linguistics (trans. Roy Harris). London: Duckworth
Jaques Derrida
Derrida, Jacques (1974): 'White Mythology: Metaphor in the Text of Philosophy', New Literary History 6(1): 5-74
Derrida, Jacques (1976): Of Grammatology (trans. Gayatri Chakravorty Spivak). Baltimore, MD: Johns Hopkins University Press
Derrida, Jacques (1978): Writing and Difference (trans. Alan Bass). London: Routledge & Kegan Paul
Derrida, Jacques (1981): Positions (trans. Alan Bass). London: Athlone Press
Claude Levi-Strauss
Lévi-Strauss, Claude (1961): Tristes Tropiques (trans. John Russell). New York: Criterion
Lévi-Strauss, Claude (1964): Totemism (trans. Rodney Needham). Harmondsworth: Penguin
Lévi-Strauss, Claude ([1949] 1969): The Elementary Structures of Kinship (trans. James Harle Bell, John Richard von Sturmer & Rodney Needham). London: Eyre & Spottiswoode
Lévi-Strauss, Claude (1970): The Raw and the Cooked (trans. John & Doreen Weightman). London: Jonathan Cape
Lévi-Strauss, Claude (1972): Structural Anthropology (trans. Claire Jacobson & Brooke Grundfest Schoepf). Harmondsworth: Penguin
Lévi-Strauss, Claude ([1962] 1974): The Savage Mind. London: Weidenfeld & Nicolson
Umberto Eco
Eco, Umberto (1965): 'Towards a Semiotic Enquiry into the Television Message', In Corner & Hawthorn (Eds.) (1980), pp. 131-50
Eco, Umberto (1966): 'Narrative Structure in Fleming'. In E. del Buono & Umberto Eco (Eds.): The Bond Affair. London: Macdonald
Eco, Umberto (1976): A Theory of Semiotics. Bloomington, IN: Indiana University Press/London: Macmillan
Eco, Umberto ([1980] 1984): The Name of the Rose. London: Picador/Secker & Warburg
Eco, Umberto (1981): The Role of the Reader. London: Hutchinson
Eco, Umberto (1982): 'Critique of the Image'. In Burgin (Ed.), op. cit.
Eco, Umberto (1984): Semiotics and the Philosophy of Language. Bloomington, IN: Indiana University Press
Roland Barthes
Barthes, Roland ([1953] 1967): Writing Degree Zero (trans. Annette Lavers & Colin Smith). London: Cape
Barthes, Roland ([1957] 1987): Mythologies. New York: Hill & Wang
Barthes, Roland ([1964] 1967). Elements of Semiology (trans. Annette Lavers & Colin Smith). London: Jonathan Cape
Barthes, Roland ([1973] 1974): S/Z. London: Cape
Jacques Lacan
Lacan, Jacques (1977): Écrits (trans. Alan Sheridan). London: Routledge
Roman Osipovich Jakobson
Jakobson, Roman (1960): 'Closing Statement: Linguistics and Poetics'. In Sebeok (Ed.), op.cit., pp. 350-77
Jakobson, Roman (1971): 'Language in Relation to Other Communication Systems'. In Roman Jakobson (Ed.): Selected Writings, Vol. 2. Mouton: The Hague, pp. 570-79
Jakobson, Roman & Morris Halle (1956): Fundamentals of Language. The Hague: Mouton